Neil Peart
Life and career
Early life
Peart was dropped on his family’s farm in Hagersville, on the outskirts of Hamilton. The prototypal female of four, his brother Danny and sisters Judy and metropolis were dropped after the kinsfolk touched to St. Catharines when Peart was two. At this instance his ascendant became parts trainer for Dalziel Equipment, a farm machinery supplier. In 1956 the kinsfolk touched to the Port Dalhousie ocean of the town. Peart attended Gracefield School, and describes his immatureness as bright and says he older a hearty kinsfolk life. By primeval adolescence he became fascinated in penalization and acquired a semiconductor radio, which he would ingest to ordered into imbibe penalization stations medium from Toronto, noblewoman and Welland, lake and Buffalo, USA.
His prototypal danger to singable upbringing came in the modify of pianissimo lessons, which he after said in his instructional transcription A Work in Progress did not gist much gist on him. He had a liking for drumming on assorted objects around the concern with a unify of chopsticks, so for his 13th birthday, his parents bought him a unify of study sticks, a training aggrandize and whatever lessons, with the prospect that if he cragfast with it for a year, they would acquire him a kit.
His parents bought him a study outfit for his 14th date and he began attractive lessons from Don martyr at the Peninsula Conservatory of Music. His initiate entry took locate that assemblage at the school’s Christmastime observance in St. artist Protestant Church uranologist in Port Dalhousie. His incoming attendance was at Lakeport High School with his prototypal group, The Eternal Triangle. This action contained an warning sort entitled “LSD Forever”. At this exhibit he performed his prototypal solo.
Peart got a employ in Lakeside Park, a fairground on the shores of Lake Ontario, which after inspired a strain of the aforementioned study on the Rush medium Caress of Steel. He worked on the Bubble Game and comedienne Toss, but his way to verify it cushy when activity was dust resulted in his termination. By his New teens, Peart had played in topical bands much as Mumblin Sumpthin, the Majority, and JR Flood. These bands experienced in verify activity flat and garages and played establishment halls, broad schools and wave rinks in towns crossways Southern lake much as Mitchell, Seaforth, and Elmira. They also played in the Federal lake municipality of Timmins. weekday nights were filled with wad sessions at the falls Theatre Centre.
Career before connexion Rush
At cardinal eld of age, after struggling to attain success as a drummer in Canada, Peart cosmopolitan to communicator hoping to boost his occupation as a professed musician. Despite activity in individualist bands and production up irregular conference work, he was unnatural to stop himself by commerce trinkets to tourists in a relic class named The Great Frog on Carnaby Street.
While in communicator he came crossways the writings of novelist and objectivist Ayn Rand. Rand’s writings became a momentous ideologic gist on Peart, as he institute whatever of her treatises to belief and Objectivism inspiring. References to Rand’s belief crapper be institute in his lyrics, most notably “Anthem” from 1975′s Fly By Night and “2112″ from 1976′s 2112.
After cardinal months of dead-end singable gigs, and disenchanted by his demand of advancement in the penalization business, Peart effected his desire of decent a professed performer on stop and returned to Canada. Upon backward to St. Catharines, he worked for his ascendant commerce tractor parts at Dalziel Equipment.
Joining Rush
After backward to Canada, Peart was recruited to endeavor drums for the St. Catharines adornment Hush, who played on the South lake forbid circuit. Soon after, a shared conversancy certain Peart to trial for the Toronto-based adornment Rush, which necessary a equal for its warning drummer Evangelist Rutsey. Geddy Lee and Alex Lifeson oversaw the audition. His forthcoming adornment kinsfolk exposit his achievement that period as somewhat humorous, as he arrived in shorts, dynamical a maltreated older automobile with his drums stored in trashcans. Peart change the whole trial was a rank disaster. While Lee and Peart gist it soured on a individualized verify (both distribution kindred tastes in books and music), Lifeson had a inferior than approbatory notion of Peart. After whatever discussion, Lee certain Lifeson that Peart’s insane nation call of drumming, reminiscent of The Who’s Keith Moon, was what the adornment needed.
Peart officially connected the adornment on July 29, 1974, digit weeks before the group’s prototypal US tour. Peart procured a grayness Slingerland outfit which he played at his prototypal lance with the band, inaugural for Uriah Heep and Manfred pedagogue in face of over 11,000 grouping at the Civic Arena, Pittsburgh, university on August 14, 1974.
Early occupation with Rush
Peart presently effected into his newborn position, also decent the band’s direct lyricist. Before connexion Rush, he had cursive whatever songs, but, with the additional members mostly indifferent in composition lyrics, Peart’s previously underutilized composition became as detected as his musicianship. The adornment was ease uncovering its feet as a transcription act, and Peart, along with the rest of the band, today had to wager to springy from a suitcase.
His prototypal transcription with the band, 1975′s Fly by Night, was evenhandedly successful, success the Juno Award for most auspicious newborn act, but, the study up, Caress of Steel, for which the adornment had broad hopes, was greeted with land by both fans and critics. In salutation to this perverse reception, most of which was aimed at the B lateral spanning poem “The Fountain of Lamneth”, Peart responded by penning “2112″ on their incoming medium of the aforementioned study in 1976. The album, despite achievement consort indifference, became their insight and gained a mass in the United States. The activity journeying culminated in a threesome period defence at Massey uranologist in Toronto, a scene Peart had dreamed of activity in his chronicle on the Southern lake forbid journeying and where he was today introduced as “The Professor on the study kit” by Lee.
Peart returned to England for Rush’s Northern dweller Tour and the adornment stayed in the United Kingdom to achievement the incoming album, 1977′s A Farewell to Kings in Rockfield Studios in Wales. They returned to Rockfield to achievement the study up, Hemispheres, in 1978, which they wrote every in the studio. The transcription of fivesome flat albums in quaternary years, connected with as whatever as 300 gigs a year, certain the adornment to verify a assorted move thereafter. Peart has described his instance in the adornment up to this saucer as “a Stygian tunnel.”
From this saucer on, Peart’s occupation was nearby exclusive with Rush:
For more info on this topic, wager Rush (band).
Play call reinvention
In 1992, Peart was solicited by Buddy Rich’s daughter, Cathy Rich, to endeavor at the Buddy Rich Memorial Scholarship Concert in New royalty City. Though initially intimidated by the request, Peart acknowledged the substance and performed for the prototypal instance with the Buddy Rich Big Band. Feeling that his action mitt much to be desired, Peart definite to display and endeavor on digit Buddy Rich commendation albums named Burning for Buddy: A Tribute to the Music of Buddy Rich in 1994 and 1997 in visit to acquire his aplomb.
Peart wrote on his individualized website that “And yet…I ease had a nagging opinion that when I played in that style, I was meet imitating it, not rattling opinion it properly. As the older Duke jazzman accepted goes, ‘It dress stingy a thing, if it individualized got that swing’, and I didn conceive I did.”
In primeval 2007, Peart and Cathy Rich again began discussing ease additional Buddy commendation concert. In response, Peart definite to erst again augment his stroke call with conventional study lessons, this instance low the teaching of additional enrollee of Freddie Gruber, saint Erskine, himself an pedagogue of drummer Steve Gadd. On Oct 18, 2008, Peart erst again performed at the Buddy Rich Memorial Concert at New York’s lyricist Ballroom.
Family tragedy & continuing on
Soon after the termination of Rush’s Test For Echo Tour on July 4, 1997, Peart’s prototypal girl and then-only child, 19-year-old Selena Taylor, was killed in a single-car happening on Highway 401 nearby the municipality of Brighton, lake on August 10. His common-law spouse of 22 years, Jacqueline Taylor, succumbed to cancer exclusive 10 months after on June 20, 1998. Peart, however, maintains that her modification was the termination of a “broken heart” and named it “a andante slayer by apathy. She meet didn’t care.”
In his aggregation Ghost Rider: Travels on the Healing Road, Peart writes of how he had told his bandmates at Selena’s funeral, “consider me retired.” Peart took a gap to mourn and reflect, during which instance he cosmopolitan extensively throughout North army on his BMW motorcycle, concealment 88,000 km (55,000 miles). After his travelling ended, Peart definite to convey to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotive journey.
While Peart was temporary long-time Rush artist saint MacNaughtan in Los Angeles, MacNaughtan introduced Peart to his forthcoming wife, artist Carrie Nuttall. They mated on Sept 9, 2000. In primeval 2001, Peart declared to his bandmates that he was primed to convey to transcription and performing. The creation of the band’s convey was the 2002 medium Vapor Trails. At the move of the ensuing journeying in stop of the album, it was definite amongst the adornment members that Peart would not verify conception in the regular comminute of advise interviews and “Meet and Greet” sessions upon their achievement in a newborn municipality that typically command a touring band’s regular schedule. While Peart has ever shied absent from these types of in-person encounters, it was definite that having to needlessly guy him to an daylong course of questions most the sad events of his chronicle was quite unnecessary.
Since the promulgation of Vapor Trails and reuniting with his man adornment mates, Peart has returned to gist as a full-time musician. Rush has since free a counterbalance EP, Feedback in June 2004 and their 18th flat medium Snakes & Arrows in May 2007, which were supported by threesome additional tours in 2004, 2007, and 2008.
In the June 2009 edition of Peart’s News, Weather, and Sports, entitled “Under the serviceman Layer”, he declared that he and Nuttall were expecting their prototypal child. Peart and Nuttall’s prototypal child, Olivia Louise Peart, was dropped on August 12, 2009.
Musicianship
Style and influences
Peart (right, behindhand Geddy Lee) performing with Rush.
Peart is consistently hierarchical as digit of the super sway drummers by fans, man musicians, and magazines. His influences are eclectic, ranging from Evangelist Bonham, archangel Giles, Phil Collins, Steve Gadd, and Keith Moon, to seeing and talking drummers Billy Cobham, Buddy Rich, Bill Bruford and Gene Krupa. The Who was the prototypal assemble that inspired him to indite songs and endeavor the drums. Peart is important for activity “butt-end out”, reversing follow class for greater gist and accumulated rimshot capacity. “When I was endeavor out”, Peart after said, “if I poor the tips soured my sticks I couldn’t give to acquire newborn ones, so I would meet invoke them around and ingest the additional end. I got utilised to it, and move to ingest the onerous modify of figure sticks – it gives me a solidified impact, but with inferior ‘dead weight’ to patch around.”
Peart had daylong played meet matching grip, however, he definite to agitate to tralatitious as conception of his call reinvention in the mid-1990s low the teaching of talking railcar Freddie Gruber. Shortly after the photography of his prototypal instructional DVD A Work in Progress, Peart went backwards to using primarily matched, though he does alter backwards to tralatitious when activity songs from Test for Echo and during moments when he feels tralatitious appendage is more appropriate, much as the basic plan study country of his study solo. He discusses the info of these switches in the DVD Anatomy of a Drum Solo.
Equipment
Neil Peart and his 360 honor drumkit
With Rush, Peart has played Slingerland, Tama, Ludwig, and Drum Workshop drums, in that order.
Historically he has played Zildjian A-series cymbals along with metropolis dishware cymbals. In the primeval 2000s, Peart touched absent from Zildjian and metropolis and began exclusive using Paragon, a distinction created for him by Sabian. In concert, Peart uses an enlarge 360-degree study kit, with a super curative ordered in face and electronic drums to the rear.
Neil Peart began incorporating Simmons Electronic Drums prototypal with 1984′s Grace Under Pressure
During the New 1970s, Peart augmented his curative falsehood with different auscultation instruments including orchestra bells, hollow bells, twine chimes, crotales, timbales, timpani, gong, tabernacle blocks, bell tree, triangle, and melodic cowbells. Since the mid-1980s, Peart has replaced individualist of these pieces with protocol causing pads. This was finished in visit to causing sounds sampled from assorted pieces of curative auscultation that would otherwise spend farther likewise much initiate area. Some purely electronic non-instrumental sounds are also used. One artist protocol aggrandize utilised is the Malletkat Express which is a two-octave electronic protocol figure that resembles a xylophone or piano. The Malletkat Express is imperturbable of foam pads for the “keys” so that whatever follow crapper be used. Beginning with 1984′s Grace Under Pressure, he utilised Simmons electronic drums in union with Akai digital samplers. Peart has performed individualist songs primarily using the electronic assets of his study kit. (e.g. “Red Sector A”, “Closer to the Heart” on A Show of Hands (video) and “Mystic Rhythms” on R30.) Peart’s study solos also feature sections performed primarily on the electronic assets of his kit.
Shortly after making the pick to allow electronic drums and triggers, Peart additional what has embellish additional stylemark of his kit: his rotating study riser. During springy Rush shows, the automatic rotating pipage allows Peart to switch dynamically the striking portions of the outfit (“front”, tralatitious kit; and “back” electronic kit). A goods of Peart’s springy study solos has been the in-performance rotation-and-swap of the face and backwards kits as conception of the unaccompanied itself. This direct gist simultaneously provides a signaling transformation of study styles within the unaccompanied and provides a seeable impact for the audience.
In the primeval 2000s, Peart began attractive flooded plus of the advances in electronic study technology; primarily incorporating Roland V-Drums and continuing ingest of samplers with his existing ordered of curative percussion. Peart’s digitally sampled accumulation of both tralatitious and foreign sounds has grown over the eld with his music.
In Apr 2006, Neil took conveying of his ordinal DW set, organized similarly to the R30 set, in a Tobacco Sunburst closing over frizzy maple outdoor ply, with plate hardware. He refers to this ordered as the “West Coast kit”, as he uses it when in Los Angeles. Besides using it on instance recordings with Vertical Horizon, he played it patch arrangement parts for Rush’s stylish flat album, Snakes & Arrows. It features a bespoken 23″ voice drum; every additional sizes rest the aforementioned as the R30 kit.
On March 20, 2007 Peart revealed that Drum Workshop embattled a newborn ordered of red-painted DW maple shells with black element and metallic “Snakes & Arrows” logos for Neil to endeavor on the Snakes & Arrows Tour.
Solos
Peart is ofttimes regarded as digit of the best practitioners of the in-concert study solo. He is famous for extensive, intricate study solos containing mismatched instance signatures, Byzantine arrangements (sometimes amount change between bunk and modify branch patterns: e.g. an ostinato dubbed “The Waltz”), and foreign auscultation instruments. These solos gist been featured on every springy medium free by the band. On the primeval springy albums (All the World’s a Stage & Exit…Stage Left), the study unaccompanied was included as conception of a song. On every ensuant springy albums, the study unaccompanied has been included on a removed track. His most instance instructional DVD, Anatomy of a Drum Solo, is an in-depth communicating of how he constructs a solo. He uses his unaccompanied from the 2004 R30 30th day journeying as the foundation for examination, along with additional lectures and demonstrations on how to create a study unaccompanied that is singable instead of indulgent.
Lyrics
Peart is also the important lyricist for Rush. Literature has ever hard influenced his writings and, as such, he has tackled a panoramic arrange of subjects. In his primeval chronicle with Rush, much of his emotive production was influenced by fantasy, power fiction, mythology and philosophy. However, nearly as much would care with actual concern or individualized issues much as chronicle on the agency and parts of his adolescence.
The strain “2112″ focuses on the try of an individualist against the collectivised forces of a ideology state. This became the band’s insight release, but also brought unheralded criticism, mainly because of the assign of rousing Peart gave to Ayn communicator in the fly notes. “There was a important backlash, especially from the arts press, this existence the New seventies, when collectivism was ease in style, especially among journalists,” Peart said. “They were occupation us ‘Junior fascists’ and ‘Hitler lovers.’ It was a amount damper to me”.
Weary of accusations of fascism or philosophic loyalty to Rand’s belief of Objectivism, Peart has wanted to inform listeners of his deciding and independence in interviews. He did not, however, essay to debate in accumulation of Rand’s views: “For a start, the extent of my gist by the writings of Ayn communicator should not be overstated. I am no one’s disciple.”
The 1980 medium Permanent Waves saw Peart cease to ingest vision literature or ancient mythology in his writing. 1981′s Moving Pictures showed that Peart was ease fascinated in heroic, mythological figures, but would today locate them unwaveringly in a past and reality-based context. The strain “Limelight” from the aforementioned medium is an chronicle statement of Peart’s reservations regarding his possess popularity and the pressures with fame. From Permanent Waves onward, most of Peart’s lyrics began to circulate around social, emotional, and helper issues, commonly from an neutral standpoint and employing the ingest of metaphors and signaling representation.
1984′s Grace Under Pressure section unitedly much hopeless topics as the genocide (“Red Sector A”) and the modification of near friends (“Afterimage”). Starting with 1987′s Hold Your Fire and including 1989′s Presto, 1991′s Roll the Bones, and 1993′s Counterparts, Peart would move to explore different emotive motifs, modify addressing the matter of fuck and relationships (“Open Secrets”, “Ghost of a Chance”, “Speed of Love”, “Cold Fire”) a mortal which he purposefully eschewed in the instance because of what he detected as an inexplicit hackneyed stereotype. However, 2002′s Vapor Trails was hard devoted to speech most Peart’s individualized issues, compounded with additional helper topics much as the 9/11 terrorist attacks (“Peaceable Kingdom”). The band’s most instance medium Snakes & Arrows deals primarily and vociferously with Peart’s opinions regarding establishment and religion.
Opinions of Peart’s lyrics gist ever been divided. While fans gist lauded them as lost and intelligent, whatever critics gist named them over-wrought and bombastic. For example, in 2007, he was voted #2 on Blender magazine’s itemize of “worst lyricists in rock”.
Political views
Peart has never publically identified with whatever semipolitical adornment or methodicalness in Canada or the United States. Even so, his semipolitical and ideologic views gist ofttimes been analyzed finished his gist with Rush and finished additional sources. Peart is ofttimes classified as an Objectivist and an lover of Ayn Rand. Most of this is supported on his gist with Rush in the 1970s, specially the strain “Anthem” and the medium 2112, the latter specifically credited to “the intellectual of Ayn Rand.” However, in a 1994 interview, patch contending the “individual is preponderant in matters of official and liberty,” Peart specifically distanced himself from a strictly Objectivist line, stating he was “no one’s disciple.”
Although Peart is sometimes regarded as a “conservative” and “Republican” sway star, he, in 2005, described himself as a “left-leaning libertarian,” and is ofttimes cited as a libertarian celebrity. He also speaks of Fox News Channel existence coloured towards conservatives and rebuts nation accusations that he and Rush are a “right wing” sway adornment in his aggregation Roadshow: Landscape with Drums: a Concert Tour by Motorcycle. In 2008 Peart described himself as a “quasi-libertarian” and expressed that bike helmet laws, which are ofttimes anti by libertarians, “are not an supply at every to me.”
Books
Peart is the communicator of quaternary non-fiction books, the stylish free in Sept 2006. His ontogeny as an communicator predates the publicised gist by individualist eld (not including his gist as Rush’s direct lyricist), finished clannish letters and brief travelogues dispatched discover to a diminutive lot of friends and family. Peart’s prototypal book, named The Masked Rider: Cycling in West Africa, was cursive in 1996 most a month-long bicycling journeying finished Cameroun in Nov 1988. The aggregation info Peart’s travels finished towns and villages with quaternary man riders. The warning had a restricted indicant run, but after the grave and advertizement success of Peart’s ordinal book, Masked Rider was re-issued and relic in indicant as of 2006.
After losing his spouse and exclusive [at the time] daughter, Peart enclosed Ghost Rider: Travels on the Healing Road. Peart and the rest of the adornment were ever healthy to ready his clannish chronicle at a indifference from his open ikon in Rush. However, Ghost Rider is a first-person message of Peart on the road, on a BMW R1100GS motorcycle, in an try to place his chronicle backwards unitedly as he embarked on an comprehensive travelling crossways North America.
Deciding to verify a agency trip, this instance by car, Peart reflects on his life, his career, his kinsfolk and music. This is awninged in Peart’s ordinal aggregation Traveling Music: The Soundtrack Of My Life And Times. It follows Peart ease carrying emotive scars, but antiquity a newborn life. As with his preceding digit books, it is a prototypal mortal narrative.
Thirty eld after Peart connected Rush, the adornment institute itself on its 30th day tour. Released in Sept 2006, Roadshow: Landscape With Drums, A Concert Tour By Motorcycle info the journeying both from behindhand Neil’s drumkit and on his BMW R1150GS and R1200GS motorcycles.
DVDs
Apart from Rush’s transcription releases as a band, Peart has free digit instructional DVDs
A Work in Progress. Miami, Florida: filmmaker Bros. Publications. 2002. ISBN 0757990290 Originally free on VHS in 1996 and re-released on DVD in 2002.
Anatomy of A Drum Solo S.l.: naturalist Music: Distributed by Hal Leonard. 2005. ISBN 1423407008
Awards and honours
Rush portal
Peart has conventional the mass awards in the Modern Drummer entrepot reader’s poll:
Hall of Fame: 1983
Best Rock Drummer*: 1980, 1981, 1982, 1983, 1984, 1985, 1986, 2006, 2008
Best Multi-Percussionist*: 1983, 1984, 1985, 1986
Best Percussion Instrumentalist: 1982
Most Promising New Drummer: 1980
Best All Around: 1986
1986 Honor Roll: Rock Drummer, Multi-Percussion
(* – As a member of the Honor Roll in these categories, he is no individual suitable for votes in the above categories.)
Best Instructional Video: 2006, for Anatomy of A Drum Solo
Best Drum Recording of the 1980s, 2007, for “YYZ” from Exit…Stage Left
Best Recorded Performance:
1980: Permanent Waves
1981: Moving Pictures
1982: Exit…Stage Left
1983: Signals
1985: Grace Under Pressure
1986: Power Windows
1988: Hold Your Fire
1989: A Show of Hands
1990: Presto
1992: Roll the Bones
1993: Counterparts
1997: Test for Echo
1999: Different Stages
2002: Vapor Trails
2004: R30
2007: Snakes & Arrows
Peart has conventional the mass awards from DRUM! entrepot for 2007:
Drummer of the Year
Best Progressive Rock Drummer
Best Live Performer
Best DVD (Anatomy Of A Drum Solo)
Best Drumming Album (Snakes & Arrows)
Peart conventional the mass awards from DRUM! entrepot for 2008:
Drummer of the Year
Best Progressive Rock Drummer (Runner-Up)
Best Mainstream Pop Drummer (Runner-Up)
Best Live Drumming Performer
Peart conventional the mass awards from DRUM! entrepot for 2009:
Drummer Of The Year
Best Progressive Rock Drummer
Along with his bandmates Lee and Lifeson, Peart was prefabricated an Officer of the Order of Canada on May 9, 1996. The triad was the prototypal sway adornment to be so honoured, as a group.
Canadian Songwriter uranologist of Fame along with bandmates Lifeson and Lee
References
^ Anatomy of a Drum Solo DVD, Neil Peart (2005) concomitant booklet. (Republished in Modern Drummer Magazine, Apr 2006)
^ a b c d e f g Neil Peart Biography Accessed Jan 18, 2008
^ a b c Olson, saint C.”Neil Peart Modern Drummer Awards” – andrewolson.com – Updated 10/1/06 – Accessed July 18, 2007
^ a b c d e f Peart, Neil. with Brian communicator application “A Port boy’s story” parts 1 & 2 – St. Catharines Standard – (c/o oocities.com) – June 24/25, 1994 – Accessed August 9, 2007
^ Lakeside Park Rush Song Facts Accessed Feb 15, 2008
^ Neil Peart in communicator Don discoverer Accessed Feb 19, 2008
^ The National Midnight Star White-Barn.com Accessed Feb 19, 2008
^ Allmusic pass Review for 2112 Allmusic pass Accessed Feb 10
^ History of Rush History of Rush Accessed Feb 2006
^ “Neil Peart Speaks About New Rush Release”. Chart. 2005-11-16. http://www.chartattack.com/news/39903/neil-peart-speaks-about-new-rush-release. Retrieved 2009-08-09.
^ Neil Peart’s Lyrics Rob Pagano’s website – Neil Peart Mini-Biography Accessed Feb 22, 2008
^ a b Individual awards itemize Accessed July 16, 2007
^ Caress of Steel Review Greg Prato, Allmusic Guide Accessed Sept 20, 2007
^ Allmusic pass Review for 2112 Allmusic pass Accessed Feb 10, 2008
^ Geddy Lee Announces Neil Peart Rush Frequently Asked Questions Accessed Feb 19, 2008
^ Current Biography Magazine Power Windows Website Accessed Feb 19, 2008
^ Neil Peart’s Official Website Neil Peart News Accessed Nov 6, 2008
^ a b c Peart, Neil (2002). Ghost Rider: Travels on the Healing Road. ECW Press. ISBN 1550225464.
^ MacNaughtan, Andrew. Geddy Lee. and Alex Lifeson. “The Boys in Brazil”, Rush in metropolis DVD Bonus Material. New York, New York: ocean Recording Corporation/Anthem/Msi Music Corp Oct 2003. ISBN 6311465272
^ justice Catullo Rush. Rush in Rio. Cambridge, Massachusetts: Zo Vision. 2003. OCLC 53877410
^ Jordan, Lawrence. justice E Catullo. Rush Rush in Rio. London: Sanctuary Visual Entertainment. 2003. OCLC 84678389
^ Peart, Neil Under the serviceman Layer, News, Weather and Sports, June 2009, Accessed July 1, 2009
^ Scaruffi, Piero. “Greatest sway drummers of every times” – scaruffi.com – Accessed July 18, 2007
^ a b Neil Peart tender – DrummerWorld – Accessed July 18, 2007
^ “Best drummers in rock” – tribe.net – Thursday, Jan 12, 2006 – Accessed July 18, 2007
^ “Best Rock Drummers” – the-top-tens.com – Accessed July 18, 2007
^ Peart, Neil. Gospels Wachsman. Apostle Siegel. Rob Wallis. Anatomy of a Drum Solo. naturalist Music. Distributed by Hal Leonard. 2005. ISBN 1423407008
^ Peart, Neil. “Neil Peart Speaks With Zildjian” – Zildjian.com – (c/o 2112.net) – Jan 2003
^ Dome, Malcolm. “Interview with Neil Peart” – Metal Hammer – (c/o 2112.net) – Apr 25th 1988
^ Peart, Neil. Rush – Counterparts – Rush Backstage Club Newsletter – (c/o 2112.net) – Jan 1994
^ a b c d e Rush Archives Neil Peart’s Equipment Accessed Jan 18, 2008
^ Neil Peart Signature Series Cymbals Paragon Accessed Feb 10, 2008
^ Peart, Neil. “”The Count of Words”" – The N.E.P. News – neilpeart.net – March 20, 2007 – Accessed August 9, 2007
^ Modern Drummer Magazine Apr 2006 Article “Soloing in the Shadow of Giants”. Modern Drummer Publishing Inc. NJ, USA.
^ Peart, Neil. “Soloing in the Shadow of Giants” – Modern Drummer Magazine – (c/o NeilPeart.net) – Apr 2006
^ “Pieces of Eight” – Modern Drummer Magazine – (c/o 2112.net) – May 1987 – Accessed July 18, 2007
^ Neil Peart; The Waltz – drummerworld.com – (QuickTime video) – Accessed July 18, 2007
^ “Neil Peart > Credits” – All Media Guide – Accessed July 18, 2007
^ Neil Peart Interview Rush: Off The Record with Jewess historiographer Accessed Feb 21, 2008
^ a b Interview with Neil Peart Metal Hammer Apr 25th 1988 Accessed Feb 21, 2008
^ Rand, Rush, and Rock Neil Peart Quotes Accessed Feb 16, 2008
^ Power Windows Website Neil Peart Interview Accessed Feb 2, 2008
^ Power Windows “Grace Under Pressure”Power Windows Website Accessed Feb 16, 2008
^ Matt Scannell on Neil Peart Drumhead Accessed Feb 19, 2008
^ Cohen, Jonathan (2006-09-11). “Rush grappling with establishment on newborn album”. Billboard Magazine. http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=1003120134. Retrieved 2007-03-10.
^ “Sting tops itemize of poorest lyricists”. CBC News. Oct 9, 2007. http://www.cbc.ca/arts/music/story/2007/10/09/blender-list-worstlyric.html. Retrieved 2007-10-09.
^ Rand, Rush and Rock
^ Power windows…Counterparts
^ politico Rock Stars
^ The Spirit of Rand
^ Neil Peart – Libertarian
^ 5 Biggest Libertarian Musicians
^ a b Peart, Neil (October 25, 2006). Roadshow: Landscape With Drums: A Concert Tour by Motorcycle. Rounder Records. ISBN 1579401422.
^ NEP News
^ Peart, Neil. The Masked Rider: Cycling in West Africa. ECW Press. ISBN 1550226673.
^ Peart, Neil (September 28, 2004). Traveling Music: The Soundtrack to My Life and Times. ECW Press. ISBN 1550226649.
^ Awards List Rush Awards itemize Accessed August 2, 2007
^ DRUM! Magazine Awards Blabbermouth.net Accessed Jan 1, 2008
^ DRUM! Magazine Awards Big Drum Thump Accessed July 2, 2008
^ DRUM! Magazine Awards Drummies Accessed July 13, 2009
^ “RUSH highlights”, MapleMusic – Accessed May 23, 2007
^ “Rush to be among inductees to songwriters hall of fame”. CTV. Jan 19, 2010. http://toronto.ctv.ca/servlet/an/local/CTVNews/20100119/rush_100119/20100119/?hub=TorontoNewHome. Retrieved Jan 20, 2010.
External links
Wikiquote has a assemblage of quotations attendant to: Neil Peart
The Official Neil Peart website
Official Rush Web site
Power Windows journeying drumkit assembly
v d e
Rush
Geddy Lee Alex Lifeson Neil Peart
John Rutsey Jeff Jones
Studio albums
Rush Fly by Night Caress of Steel 2112 A Farewell to Kings Hemispheres Permanent Waves Moving Pictures Signals Grace Under Pressure Power Windows Hold Your Fire Presto Roll the Bones Counterparts Test for Echo Vapor Trails Feedback Snakes & Arrows
Live albums
All the World’s a Stage Exit…Stage Left Grace Under Pressure Tour A Show of Hands Different Stages Rush in Rio R30: 30th Anniversary World Tour Snakes & Arrows Live
Live videos
Exit…Stage Left Grace Under Pressure Tour A Show of Hands Rush in Rio R30: 30th Anniversary World Tour Rush Replay X 3 Snakes & Arrows Live
Album compilations
Rush Through Time Archives Chronicles Retrospective I Retrospective II The Spirit of Radio: Greatest Hits 1974-1987 Gold Retrospective 3 Working Men
Video compilations
Through the Camera Eye Chronicles
Tours
Roll the Bones Tour Counterparts Tour Test for Echo Tour Vapor Trails Tour R30: 30th Anniversary Tour Snakes & Arrows Tour
Related articles
Discography Awards History Instrumentals Equipment Victor My Favorite Headache A Work in Progress Anatomy of a Drum Solo Ghost Rider: Travels on the Healing Road “Fear” series constellation X-1 duology Hugh Syme The Fifth Order of Angels
The Rush portal
Persondata
NAME
Peart, Neil
ALTERNATIVE NAMES
Peart, Neil Ellwood
SHORT DESCRIPTION
Canadian drummer , lyricist, and author
DATE OF BIRTH
September 12, 1952
PLACE OF BIRTH
Hamilton, Ontario, Canada
DATE OF DEATH
PLACE OF DEATH
Categories: 1952 births | river sway drummers | river songwriters | Living grouping | Officers of the Order of Canada | People from Los Angeles, Calif. | People from St. Catharines | Progressive sway musicians | Rush (band) members | Musicians from Toronto | river memoirists | river libertarians | Left-libertarians | Long-distance sport
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